Archive for May, 2008

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Holding the Line on Rates

May 29, 2008

There are always predatory potential “employers” out there. As freelance writers during a recession, it’s imperative for us not to panic and to hold the line on our rates. There have always been disrespectful employers on the job boards and bidding sites who don’t believe writers are worth more than a few pennies here and there; now, when people are panicked about filling the gas tank and buying food, they’re taking advantage of it to cut rates even lower.

Don’t work for those rates. Do a few more hours of research and find clients who will pay you what you’re worth.

Rates are a sticky wicket anyway, as far as what to charge and how much hardball to play. The only person who can set the rate is you – you know what makes you feel as though you’re being paid a fair fee for your work. Or, if you don’t, well, obviously you need to gain more self-confidence in your abilities, or maybe someone else is supporting you and you’re only writing on the side.

Which is fine, but you’re hurting yourself and everyone else.

You need to respect your work, first and foremost. Not everyone can write, although many employers would say, “Well, I could do it myself if I only had time.” They might think that, but it’s rarely true. They might be able to put words on paper; few of them can create viable written materials that show their business in the best light possible.

That’s why they need to hire you.

That’s why you need to charge a fair fee for your time and skills. Because effective copywriting is a skill. It’s craft melded with art and imagination.

And it’s worth the money.

Every time you accept one of those jobs that pays $1/article for multiple articles a week, or some insulting crap like that, you don’t only hurt yourself; you slap every skilled working writer in the face, because you’re setting a standard that we’re not worth a living wage.

Not only are we worth it, many of us earn it.

And, actually, the professionals among us have learned to stay away from the crap jobs, leaving them for you. On one forum, a few months ago, a would-be freelancer who used some silly bidding site said, “But I can make $100 a week!” She was writing something like ten or fifteen articles PER DAY, five or six days a week.

Where in this country can you live, much less support a family, on $100 a week?

Sweetie, I can make that in an hour for a legit corporate client.

Also, once you dig yourself into the crap payment basement, the higher paying clients rarely hire you. You’ve branded yourself as cheap labor, and high-end clients will figure if you’re being paid that little, you’re not worth much, and certainly not the class of writer who can create material for them.

There’s nothing wrong with having different rates for different clients or jobs. You have to be flexible. You have to figure out if a lower pay rate for ONE particular assignment pays off down the line – and not just because the client promises a steady stream of crap-paying work in the coming months.

There’s also nothing wrong with taking on pro bono clients. What’s the difference between a pro bono client and a client who pays you $1 for an article?

A pro bono client still has a contract with you, so both sides know what’s expected. A pro bono client is usually from a non-profit organization that handles a cause in which the writer truly believes in, such as the American Cancer Society or a local animal shelter. A pro bono client respects and admires your work and has the type of visibility and respect that makes your work useful for legitimate clips as you seek out higher-paying jobs.

If you’re churning out 20 articles a week of regurgitated content for George’s multiple websites that come and go every few months and change topics, those are not legitimate clips. They will not get you work anywhere except maybe when Al starts up multiple web sites of regurgitated content. But if you write newsletters and press releases for your local animal shelter, you can use those samples in your portfolio for any other newsletter or press release job. And, chances are some of your potential employers have read and been moved by your work because they receive the newsletter or read the press release in the paper.

If you want to get a good idea of reasonable rates and setting up a sane freelance system, start with Peter Bowerman’s book, The Well-Fed Writer. Visit his website and hang out on his blog. You’ll encounter people who respect their own work and accept no less than respect – and fair payment – from clients.

In these times of recession and down-sizing, our skills are more necessary than ever. Businesses don’t have enough people to handle their writing needs. They have to hire us to take care of them. And we should be paid fairly for it – after all, they’re not paying our benefits, insurance, social security, or taxes. We are. They’re saving a huge amount of money by hiring us in the first place, even at a fair price. Don’t settle for less.

Devon Ellington

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Edinburgh Prepares For a Summer of Fun

May 27, 2008

If you reside in or are visiting Scotland this summer, you’re in for an exciting time. 2008 sees a huge variety of events on offer, to whet even the most cynical tastes.

Next week the Edinburgh Film Festival kicks off, and later in the summer the Tattoo, the Edinburgh Festival, and the Festival Fringe also come round again. For book lovers the programme of events for the 2008 Book Festival will be released in a couple of weeks, which is sure to be in high demand as always.

And it’s not just in the main area of the city that you can catch art and cultural events this year, as Leith is getting in on the act again with its biggest programme of events to date in another Leith Festival.

So, just in case you aren’t aware, here are some of the important dates you should already have in your diary.

May 30 to June 8
The Leith Festival
www.leithfestival.com

June 18 to 29
Edinburgh International Film Festival
www.edfilmfest.org.uk

August 1 to 23
Edinburgh Military Tattoo
www.edintattoo.co.uk

August 3 to 25
Edinburgh Festival Fringe
www.edfringe.com

August 8 to 31
Edinburgh International Festival
www.eif.co.uk

August 9 to 25
Edinburgh Book Festival
www.edbookfest.co.uk


Colin Galbraith writes articles and reviews on a wide variety of subjects. For more information please visit: http://freelance.colingalbraith.co.uk

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Children’s Laureate Captivates Scottish Kids

May 20, 2008

The UK Children’s Laureate, Michael Rosen, entertained a group of lucky young children recently, as part of his acclaimed tour of Scotland. Pupils from Kilmarnock’s Silverwood Primary and Oxgang Primary school in Kirkintilloch, were invited to the latest stop in Rosen’s tour at Glasgow’s Mitchell Library.

The author of popular publications, Quick Let’s Get Out Of Here, and We’re Going On A Bear Hunt, engaged the kids with poetry designed to help promote reading and writing, and to bring literature to life for a new generation.

Jasmine Fassl of the Scottish Book Trust said: “This is Michael Rosen’s only Scottish tour in 2008 and we are excited to have secured such an inspirational and funny speaker for Scottish children.”

Related Links
www.michaelrosen.co.uk


Colin Galbraith writes articles and reviews on a wide variety of subjects. For more information please visit: http://freelance.colingalbraith.co.uk

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Writers Who Blog . . .and Drive Me Away

May 15, 2008

There are millions of blogs out there. Why should you have one? And why should anyone want to visit it?

People have blogs for lots of different reasons. Some people with networks of extended family and friends spread over the globe find it the easiest way to keep in touch rather than repeating the same stories over the phone or via email.

People keep blogs for professional reasons, personal reasons, business reasons.

I think most writers keep blogs for a mix of the professional and the personal. They want to promote their writing, and they want to give the readers a glimpse of what they go through to get the work out there.

As a writer, I look at the blog as morning coffee with my friends and colleagues. I feed the cats, do my morning yoga, do my first 1000 words of the day. Then I blog, read other blogs, check email, and get on with my day, writing and otherwise.

I blog almost every day. If I’m traveling or something comes up, I let people know, so they don’t keep clicking and clicking and clicking and it’s the same old content.

I also wander the blogosphere to find other “kindred spirits” as Anne of Green Gables would call them, be they writers or in other lines of work. As a reader, here are some of the things that will make me never return to your blog:

It’s all advertising, and all you’re trying to do is get me to fork out some money.
Sorry, babe, I don’t read the ads on most sites anyway, I don’t look at most of the ads in magazines or on TV, I’m not coming every day to hear why I should give you money. Buh-bye.

It’s badly written and badly spelled. This especially sets my teeth on edge if the person proclaims to be a writer. We all make typos sometimes, but when blog entries are regularly full of mistakes, it tells me you don’t respect your work. If you’re a writer, your blog is part of your online portfolio. A lack of polish and professionalism is going to taint the way readers, editors, publishers, and other writers view you and your work.

It’s hardly ever updated. I understand that not everyone can or wants to update every day. Once a week, twice a week – understandable. Once every six months – why should I bother coming back? If you take a hiatus, let us know. If you shut down for good, let us know. Don’t just leave us dangling.

It’s updated six times a day. That makes my head ache.

I can’t comment. This is like a slap in the face, especially if it’s the time of post that invites a response, and then doesn’t allow it. Some bloggers who post blogs without any sort of comment section claim they get so much traffic (this is mostly famous names) that they “don’t have time” to read the comments or respond. Honey, if you didn’t have all these fans, you wouldn’t be making a living at what you do. While there are parasites who masquerade as fans, there are also a lot of great people out there, and a response to a comment once in awhile wouldn’t kill you. Maybe what you need to do is learn how to manage your time better. The other type is the one who insists on having iron control over anything that appears on the blog, although claiming it’s only to control spam or to keep rude comments off the blog. If you’re going to put yourself out in public, not everyone’s going to love you, and sometimes it will get ugly. That’s part of the package. Fine. Moderate comments. Turn over scary ones to the proper authorities. If you have to, delete the ones you don’t like. But at least let people comment.

I have the most problem with Blogger bloggers. Because Google/Blogger refuses to acknowledge my existence, in spite of the fact that I have Gmail and I was on Blogger for several years, I can’t comment unless the “Choose Identity” function is enabled. At this point, if I visit a new-to-me blog on Blogspot, I check the comments first. If it’s set up so I can’t comment – I no longer read the post, and I don’t come back.

To me, interaction is what sets blogging apart from e-zines or newspapers or other sites. Even most professional blogs have a touch of the personal in them, and are meant to create a connection. But a connection needs to work both ways.

If you’ve got a professional blog, the point is to get as many hits and return visitors as possible. So make them want to come back – both with regularly updated content AND with interaction.

Otherwise – why put it out there in the first place?

--Devon Ellington

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Golden Era Over For Scottish Publishing

May 13, 2008

Scottish Publishing in FalloutThe recent golden era for Scottish publishing is threatening to come to end following last week’s announcement that funding for Scottish publishers is to be axed.

Birlinn, Canongate, Mainstream, and Black & White – all Edinburgh-based publishers – had bucked a UK trend, and created a powerful reputation for Scottish publishing in recent years. But the recent row over financing looks set to tear the industry apart, with some publishers now involved in public slanging.

In a surprise development, Hugh Andrew, owner of Birlinn/Polygon, resigned from Publishing Scotland (PS). Andrew cited the increase in grant money awarded to PS from the Scottish Arts Council (SAC) while subsidies to publishers were simultaneously axed, as his main reason for leaving.

Andrew referred to the new e-commerce portal, BooksfromScotland.com, which was launched as a “Scottish rival to Amazon.com”, but which has only sold a fifth of its projected sales target. Andrew described the returns as “pitiful” and accused the portal of “bleeding cash”. He also said his own website “sold at least twice” as many books while costing five times less than BooksfromScotland.com to run.

“I look at the costs to achieve a particular result, and I am staggered,” he explained. “The main spur for my decision to resign from Publishing Scotland is the increase in grant for the body that is meant to represent Scottish publishing. It is getting a 30% increase in grant in the same year that grants to publishers are slashed.

“In other words, the quango that is meant to represent Scottish publishing has enjoyed a massive increase in grant, whereas those it is meant to help have their grants are hammered. There is something seriously wrong.

Bill Campbell, joint MD of Mainstream Publishing countered Andrew, however, and said: “Scottish publishing is in good health. Hugh Andrew’s reaction doesn’t surprise me but it slightly saddens me. Publishing Scotland does a lot to help the industry.

“I have my own reservations but I don’t throw my rattles out of the pram to make a fairly shallow point.”

Related Links
www.birlinn.co.uk
www.scottisharts.org.uk
www.publishingscotland.org


Colin Galbraith writes articles and reviews on a wide variety of subjects. For more information please visit: http://freelance.colingalbraith.co.uk

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Scottish Arts Council Scraps Block Grants to Scottish Publishers

May 6, 2008

The Scottish Arts Council has axed grants to several Scottish publishers worth around £100,000. Publishers have been informed they need not apply for any of the “block grants”, in a controversial move that has brought widespread dismay within the industry.

The announcement will affect small and well-established companies alike, such as Polygon and Luath Press.

However, grant funding for individual books has been increased by £40,000, nut critics have argued that by cutting the block grants, it will make it much tougher for publishers to plan and invest.

The cuts prompted Hugh Andrew, chief executive of the Birlinn/Polygon group, to call for an examination of arts council spending.

“Block grants help publish work like new Scottish fiction,” said Andrew. “It’s getting to the stage where we have to have a root-and-branch examination of where our money is going. It seems the amount of money given to bureaucrats and quangoes is increasing at the expense of those on the front line.”

He questioned why Publishing Scotland, the organisation which works for the “support and development” of the sector, received about £200,000 in annual funding, twice the block-grant fund.

A spokeswoman for the Scottish Arts Council confirmed that the block grant fund has gone from £100,000 to nothing, and that it had been “suspended temporarily for this financial year”.

Related Links
www.scottisharts.org.uk
www.birlinn.co.uk


Colin Galbraith writes articles and reviews on a wide variety of subjects. For more information please visit: http://freelance.colingalbraith.co.uk